It’s a familiar tale: A production company gets the green light to produce a new science fiction television series and pours their hearts into it, then the network destroys it. I’m not talking about Joss Whedon’s masterful Firefly; I’m talking about the 1987 series, Max Headroom. If you’re not familiar with the series, you may be recoiling slightly in post-traumatic 1980’s stress at the thought of Coca Cola’s overexposed pitchman being associated with anything positive. But you really ought to give it a chance. The show is simply amazing.